today i watched buenos aires zero degree, a documentary on the making of wong kar-wai's happy together. i have a lot of thoughts about happy together and wong kar-wai in general that i will share on a different day; this documentary, though, was something that i'd only recently found out about when i went through all of leslie cheung's filmography on mubi (here's my profile) and added everything to my "want to watch" list. i'm always interested in extra-diegetic/-canonical material on wong kar-wai films, and to some extent i find them to be more worthwhile and intriguing than his films themselves. i'd say that this is true for buenos aires zero degree, since in my view happy together isn't particularly powerful when taken as a standalone film.
i had previously gone through cinematographer chris doyle's journal entries in his happy together photobook don't try for me, argentina (which i'd die to get a copy of just to see one particular photo of leslie, but they went out of print a long time ago. there are some real gems in his journal entries though, if you're willing to wade through doyle's loose writing style and occasionally insensitive remarks). one theme that emerged in doyle's journal entries was the increasing feeling of frustration and hopelessness among the cast and crew during the shooting process of happy together. apparently they stopped filming for lengths of time as wkw scrambled to try to piece together a narrative for the film. another was the sense of alienation everyone felt due to their unfamiliarity with argentina, which is on the opposite side of the globe from hong kong.
the documentary meditates on these feelings further. the film itself, directed by pung leung-kwan and amos lee, is a collection of footage of the crew returning to argentina and revisiting the sites where happy together was filmed, as well as a few interviews and some cut scenes (mostly from chang chen's character's story). because im a corny diasporic sino, i felt like i could understand the way the chinese-argentine crew members described buenos aires as a space that they don't "belong" to, a space that marginalizes them, and yet is still an intimate and important place in their memories. in fact, i think happy together's portrayal of transnational sino migration is one of its most interesting elements, although i'd say that the film doesn't explore this very purposefully. buenos aires zero degree fills in this area a bit. there's an interview with the owner of the chinese restaurant that tony's character works at in the film, and the owner talks about how hard it was when they first moved to argentina, but that they managed to push through because they were young. and then in wong kar-wai's voiceover, he wonders what he would've done if he had to start over completely in argentina like these people had done. i've been thinking about how the chinese have historically been very willing to traverse vast geographical distances and become diasporic subjects in order to make it in a new land; in the process, they end up forming complex ties to their host countries. one of the crew members in the documentary mentions that whenever they travel, they don't want to seek out other chinese people, because they'd rather be a traveler first and foremost, with no ties to any place or group of people. this is pretty interesting - how much can sinos really shed their "identities" when they're occupying a transient position in a new land?
it was also interesting to see the cut scenes w chang chen and shirley kwan (btw, chang chen reminds me so much of someone that i know, especially the way he talks, but i can't put my finger on who it is. gah!!). they were pretty classic wkw scenes, with shirley kwan playing a mysterious woman who runs into both chang chen and tony's characters, reminiscent of brigitte lin and faye wong in chungking express. the scenes were probably cut in favor of keeping the narrative focus on tony's character, but i'm really glad to have been able to see the footage. also can i just say that it must really suck that the actors in wkw films don't really know if their scenes are going to make the final cut until they see the film premiere on the big screen.
as for leslie, he doesn't really appear much here, aside from some footage of the cast and crew celebrating his birthday at the beginning of the documentary (which killed me btw). from what i've read, leslie was busy preparing for his 1997 concert tour so he couldn't afford to stay in argentina for very long, and subsequently didn't participate in much of the film's promotion, nor in this documentary. after filming happy together, leslie openly expressed dissatisfaction with wong kar-wai's directing style and procrastinated on going to see the film in theaters. i do have more to say about leslie's role in happy together, but i'm going to save that for another day because i don't want to sidetrack this post.
anyways, i'd love to find a dvd version of this and be able to watch it in higher quality, and preferably with english subtitles. i've really been testing myself lately by streaming films online in pretty terrible quality. i also have a pdf of a book on happy together (thank you steven!) that i want to skim through soon. i really can't believe that despite everything i'm still so invested in wong kar-wai films! god!
this is a really nice post and very interesting i have some questions like how do u juggle school & all of this, and how do u have such insightful thoughts if a psychic read my mind they'd be like wtf bc it would just be white noise with occasional visions of jam hsiao. do you sleep??? pls tell me you sleep. my theory is that i sleep too much (8-9 hours a day) and it impairs my #cultural consumption. but i cant stop sleeping or else i cant function.
ReplyDeleteanyway i'd love to hear more abt what u have to say re: happy together and wkw in general. and its interesting abt the people who said they dont seek out other chinese people when they travel, because my mom really does. she always has to eat at a chinese restaurant and if someone she knows lives in the city where we're travelling we meet up with them and stuff. i guess my mom feels like she has more of a connection / she must maintain more of a connection with the #homeland. and her migration story is different from that of the sino-argentinian restaurant owner for example. if you have to start altogether from scratch and if assimilation is crucial to your survival in a new environment, it would be a lot different.
thanks for commenting ❤️️ i'm still on winter break rn so i'm literally at home all day and can afford to watch 2-3 films at a time, but i start classes again on tuesday & i doubt i'll be able to keep up this momentum anymore which i'm sad about. and i sleep a lot too! sleep is so crucial for me and i feel like i miss out on life bc of my bedtime but everyone's bodies have their own needs and i'm trying to take care of mine. tbh school and basic functioning takes up 250% of my energy, and i've barely watched any films in the past 2 years bc i lost my ability to concentrate. but for some reason this past winter break i finally broke out of that funk and now i love watching films again lol, it's all bc of leslie honestly he saved my life..
Deletei'll make another post abt wkw after i do some more reading on him, basically i'm just put off by his directing style and also the way white film scholars view his work (which we talked about.. qu*ntin t*r*nt*no..). also i think he gets so much hype and acclaim but i've personally always felt a bit dissatisfied after watching his films. but i'm still so invested in them. also yeah!! in the documentary it was pretty evident that the sino-argentines migrated with full knowledge that they wouldn't be able to fully "assimilate", and the networks they established w other sinos were more a means of survival than anything else. it's different than our parents' migration stories. i want to read more about asian/sino-latin american migration in general now..
also tbh it took me some effort to write this post, i didn't intend for it to turn into a review but it ended up like that bc i'm too used to writing response-style essays for school. and my brain is also 100% white noise combined w quiet screaming about leslie, it's not that great lol